The Trayvon Generation

hand toned gelatin silver photographic print with text on mat Carrie Mae Weems, Blue Black Boy, 1997. © Carrie Mae Weems. Courtesy the artist and Jack Shainman Gallery, New York.

Elizabeth Alexander leads The New Yorker’s June 22, 2020 issue with a deeply personal reflection on how witnessing ongoing race-based violence and police brutality has shaped the worldview of young Black people, including her sons. “What does it mean for our young people to be ‘black alive and looking back at you?’”

READ MORE IN THE NEW YORKER

Elizabeth Alexander, "The Trayvon Generation," The New Yorker, June 15, 2020.